"What can please a person more than to travel the whole world without setting a foot outside their room?"

Gerard de Lairesse (1640 – 1711)


Hand-painted wallpaper, revival of a vanished craft

Painting large landscape wallpapers for mansions, canal houses, and country estates was extremely popular, especially in the 18th century. Many showrooms were adorned with wall-filling Arcadian scenes. It is remarkable that so few of these 'Rooms in the Round' have been preserved. Additionally, much of the knowledge about the creation process has been lost.

 

When we started painting wallpaper in 2013, we only then became aware of the scale and importance of this Dutch craft. It is fascinating to discover how people back then transformed empty walls into illusionistic landscapes with the right effects. Thousands of rooms had at least one 'Room in the Round.' However, this decorative interior art fell into decline after 1800 due to various reasons. The dismantling of the rooms began in the mid-19th century. The art of the 18th century was considered inferior to the Golden Age, and people grew tired of the delicate wallpapers. The remaining wallpapers that have been preserved in situ are very rare and hardly known to the general public

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The remaining sketches, travelogues, and notes provide only a limited view of this craft and the techniques used. This creates a significant gap in our knowledge and understanding of 17th and 18th-century decorative painters and interior art. How was the wallpaper created? How did a commission proceed? What did a workshop look like? Were stencils or fixed elements used? What was the work process like? Who determined the colors, subjects? What other furnishings were important in the choices made? To what extent did the wallpaper match the existing interior?

Many questions can no longer be answered, which is why we have delved deeper into the techniques and processes involved. By reading various books and theses, as well as visiting museums and private homes, we have gained a clearer understanding. For example, dioramas and theatrical scenery can also help in comparing the techniques and effects used.

We have already implemented many of these theoretical models in practice. We aim to revive the light effects, depth, perspective, color usage, and other historical effects through our own style. The personal wishes of our clients and the architecture play an important role in creating hand-painted wallpapers. Through optical illusions and color usage, a specific atmosphere can be evoked. The correct proportion of the work can manipulate a space.

In summary, there is still much to discover.